THE CATACOMB OF S. GIOVANNI
The catacomb of S. Giovanni was started in the 4th century, after the
Edict of Milan issued by Constantine in 313, a decree of tolerance towards
Christianity. This place was created for a community which no longer
needed to hide their Christian beliefs.
The different kinds of burial found are the canonic ones: loculi ( rectangular
burial niches carved into the walls used for spare bones or little babies
); arcosoli ( more elegant, decorated with paintings, they could also
contain an entire family ); fosse terragne ( carved into the ground,
less noble, typical of the intensive exploitation of the necropoli ).
The catacomb of S. Giovanni has been designed following a pre-existing
greek water system, according to the planning of a castrum ( roman military
camp ). From the only possible entry, it starts the decumanus maximus,
the main gallery, and from it five cardines spread to north and to south.
These galleries lead to the rotundas, used for religious rites, carved
in pre-existing cisterns. The first rotunda in the southern region is
the so-called Marina rotunda, because of an inscription to Marina in
the upper part of her arcosolio. Going to south, a short gallery leads
to the arcosolio of Bishop Siracosio, where you can see the Christogram
of Constantine and two boats in the shape of a fish. For the early Christians,
the boat signified the Church, while the fish was an acrostic in greek
language: ICTIUS becomes Jesus Christ Son of God the Saviour.
From Marina rotunda, you move to Adelfia rotunda. Here, in 1872, the
archaeologist Saverio Cavallari found a sarcophagus in marble ( now
saved in the “Paolo Orsi” Museum at Siracusa ) where 62
biblical characters from the Old and New Testament are carved; in the
middle of it, a shell representing Adelfia and her husband Valerio.
Going forward, there is the Seven Sarcophagus rotunda ( or Seven Virgins
rotunda ) where an iscription dedicated to the blessed virgins Filomena
and Fotina was found; they were two women belonging to the first christian
community.
Going back, there is a cistern of a square form, named Eusebius cubicle.
Pope Eusebius was buried here until his body was moved to the catacomb
of Callisto in Rome. In this cistern, a very important inscription dedicated
to Euskia was found; she died on the day when St. Lucy was celebrated:
this gives evidence to the devotion to the saint from the 5th century.
Following the decumanus maximus, we meet the arcosolio of Deodata, decorated
with frescos. In the upper part, Christ is represented with St. Peter
an St. Paul while he is coronating Deodata entering the Paradise.
In the northern part of the catacomb, following the decumanus minor,
there is the Antiochia rotunda, a real pantheon, carved in the ground,
where you get in through some stairs. Against the wall, there are some
tracks of columns with capitals. At the beginning of the second northern
gallery you find the so-called Tomb of the Saint. On its cover slab,
there are three holes, used for the ancient rite called refrigerium:
it was a funeral banquet celebrated in the dies natalis ( the anniversary
of death ). Through holes carved in the stone and by three copper straws,
wine, milk and honey were poured inside the deceased’s mouth.
The catacomb, as the near Basilica, has been sacked by several people
like Vandals, Goths, Saracens. These repeted sackings have left only
the “naked skeleton” of this necropoli, as the archaeologist
Paolo Orsi said.
Only with Paolo Orsi, in the early years of the 20th century, this underground
city of deads has methodically been explored.
THE CRYPT OF S. MARCIANO
According to tradition, in the 39 a.C. Marciano was
sent by St. Peter to Siracusa to preach the gospel. The authorities
were worried about the success of the new religion, but probably it
was the jewish who killed the Bishop Marciano in 68 a.C. His body, now
saved in the Cathedral of Gaeta, was buried in the same place of his
martyrdom, and the tomb was realised in a special way that allowed people
to touch his blessed body.
Starting from this place, the christians excavated some galleries in
order to bury their deads; from here, it started the building of the
catacomb where several bodies of people died during the roman persecution
were buried.
The crypt represents the first christian place in the west, it is five
meters underground and includes the tomb of S. Marciano. According to
the Acts of the Apostles (ch. 28, vs 12 ), in 61 a.C. St. Paul stayed
here when he stopped for three days in Siracusa during his journey in
chains towards Rome.
During the Byzantine period, the crypt was enlarged, transformed in
church ( greek cross planning ), with three apses, columns and ionian
capitals. The remains of its ancient mosaic floor called opus sectile
and some frescos representing St. Lucy, St. Marciano, St. John the Baptist,
St. Peter and St. Paul are still visible.
Later on, the Normans partly rebuilt the crypt, adding four capitals
each one decorated with the symbols of the four Evangelists. In the
12th century, the entry was adorned with an ogival vault, decorated
with a falcon, symbol of the emperor Frederick II of Svevia.
BASILICA OF S. GIOVANNI EVANGELISTA
The Basilica of S. Giovanni was built in the 6th
century by the Byzantines. The church was oriented east-west, divided
in three naves with twel